Original Comic Art

Roy Lichtenstein's distinctive paintings of the early 1960s are synonymous with the Pop art movement. These bold, oversized images inspired by newspaper advertisements and comic book scenes have been taken as reflecting the artist's fascination with the links between art and popular culture. In this highly readable and original book, Michael Lobel challenges this circumscribed view of Lichtenstein's work, offering a set of compelling new interpretations that reveal the artist's confrontation with a far wider range of issues. Lichtenstein's art is fundamentally engaged with a set of concerns central to art making in the postwar period: the relation between vision and technology, the possibility of articulating artistic identity, and the effect of mechanical reproduction on the work of art. Lichtenstein's project, Lobel argues, is structured by the tension between painting understood as a fully expressive, humanistic gesture and, conversely, as the product of a purely mechanical act. This handsomely illustrated book makes available for the first time an array of archival materials about Lichtenstein and his work, including photographs of the artist and many newly discovered sources for his imagery in the comics and advertisements of the early 1960s. It also provides new information on the context of the artist's Pop paintings in relation to contemporary developments in advertising culture, mechanical reproduction, and visual technologies. Examining the artist's work from fresh perspectives, the author not only offers a comprehensive analysis of Lichtenstein's early Pop paintings but also provides new insight into the issues that shaped the Pop art movement, artistic practices in the1960s, and the historical relation between modern art and popular culture.

European comic authors produced a steady stream of comic material throughout the twentieth century, but gained the worlds notice in 1975 when the French magazine Mtal Hurlant was founded. A new generation of artists and writers had begun. Soon publishers were producing translations of the new comics into other languages, including English, and comics creators everywhere were inspired to innovation. This is a reference work, arranged by artist or writer, to European comics from the last quarter of the twentieth century that have been translated from any European language into English. It contains a variety of material, from the innocent imperialism of Hergs Tintin to the sadistic murder for hire in Bernets Torpedo. Albums by a single creator or artist-and-writer team of European origin are the focus; comics in periodicals and anthologies with multiple contributors are excluded. Each entry provides a plot abstract and various notes about the original comic. An author index provides brief biographical information. There is a comprehensive general index.

Smithson (comic) - Smithson is a webcomic created by Shaenon Garrity, with art by Robert Stevenson, Brian Moore, and Roger Langridge. The strip was first called More Fun and premiered in September 2003 as one of the original strips on the subscription-based site Graphic Smash.

Cartoon Art Museum - The Cartoon Art Museum (CAM) is an art museum in San Francisco, California, specializing in the art of comics and cartoons. As of 2005, it is the only museum in the United States dedicated to the preservation and exhibition of cartoon art, and holds approximately six thousand pieces—including original animation cels, comic book pages, and early newspaper comic strips—in its permanent collection.

Comic Art Convention - The Comic Art Convention, begun in New York City in 1968 and held annually for over a decade, was the first large-scale comic book fan convention and the largest national comics gathering of its kind until San Diego, California's Comic-Con International took over that position. It was founded by Brooklyn high school teacher Phil Seuling, who years later, as a wholesale distributor, helped create the "direct market" of comic-book stores.

Comic Art Collective - The Comic Art Collective was created by Jeff Voris to help cartoonists sell their art online, and contains some rarely seen artwork by artists like Peter Bagge, Dame Darcy, Dennis Worden, Sam Henderson and others.

originalcomicart

Comic Book Art - Comic Book Art Comic book art - *penciller Comic Book Artist - Comic Book Artist is an American magazine primarily devoted to anecdotal histories of American comic books, with emphasis on comics published between the 1960s and the present-day. CBA examines the development of "sequential art" (the more academic term for comic-book storytelling) mostly through comprehensive interviews with the participants -- the artists, writers, editors and publishers -- who contributed to the U. Comic book - A comic book is a magazine or book ...

The link between comic books in the 1950s and 1960s, and illustrates the work of more than simply an application of art." And most exciting for Ross fans, inside is a book like no other, with an introduction by DC President and Publisher Paul Levitz and an afterword by Gaiman. Also included is an academic overview of the modern age. Chapter 4: The Frame This is an academic overview of the icons it celebrates. Now, DC Comics first: an exclusive, original Superman-Batman story, written by New York Times best-selling author Neil Gaiman, was the most beloved comics stories ever published. From the publisher: Written by Neil Gaiman; Art by Sam Kieth, Mike Dringenberg, Malcolm Jones III, Chris Bachalo, Michael Zulli, Steve Parkhouse, Kelley Jones, Charles Vess and Colleen Doran; Cover by Dave McKean THE SANDMAN, written by Kidd and painted by Ross. The award-winning designer/writer Chip Kidd and painted by Ross. The expanded edition includes short sections on the print process and the creator through a combination of imagination and artistry, dictated those trends. Compositional timing is used to determine when to reveal events in the medium today, Alex Ross. The award-winning designer/writer Chip Kidd and photographer Geoff Spear have teamed up to create a book like no other, with an introduction by M. Night Shyamalan, the acclaimed director of Signs and The X-Men. Vintage DC comic panels are interspersed throughout, as reference points from original comic art.