Western

 

Magnificent Westerns



Magnificent Failure: A Portrait of the Western Homestead Era by John Martin Campbell,

Magnificent Failure: A Portrait of the Western Homestead Era by John Martin Campbell,
In words that are as clean and precise as his haunting, starkly beautiful photographs, the author vividly recreates the life and times of the Western Homestead Era, that period beginning around 1885 when the prairie lands lying westward from the longitude of the western Dakotas became available to pioneering farmers. Some 70 black-and-white duotone photographs, with detailed captions, record the bleak landscapes and the abandoned farms, outbuildings, farm implements, and hand tools that are mute testimonies to the failed hopes of several million families who settled on these arid and semi-arid lands. The author explains how their failure resulted from a deadly combination of natural and economic causes. Neither the federal government nor the homesteaders themselves were aware that some of the western homestead land was so dry that artificial irrigation often was required. But irrigation was unavailable to most of these farms, and many thousands of them failed within a few years. On most of the homestead lands, however, dry farming -- by which crops are watered by falling rain and snow -- permitted the newcomers to plant and reap a variety of crops. For several decades, these regions produced flourishing farms, towns, railroad lines, and dirt and gravel roads. Meanwhile, and again unanticipated by both government and the prospering farmers, the climate of these productive regions was becoming increasingly dry. This was the natural phenomenon that culminated in the Dust Bowl of the 1930s, which was coincidentally accompanied by the Great Depression. Crops went begging for lack of water, banks closed, railroads were abandoned, and the formerly prosperous homesteaders went broke by theseveral millions. Historians of the Western United States have largely ignored the homesteaders. There is little romance in farming, especially when compared with that attached to cowboys, Indians, explorers, and fur traders. Still, the homesteaders were heroes in their own right.



Return Of The Magnificent 7 (Widescreen)
Return Of The Magnificent 7 (Widescreen)
The legendary Magnificent Seven thunder through Mexico and make cinematic history - again! Starring Academy Award-winner Yul Brynner and a stellar supporting cast that includes Robert Fuller, Warren Oates and Claude Akins, "Return Of The Magnificent Seven" features Elmer Bernstein's Oscar-nominated score and raises the bar for rugged western adventure to a new, heart-stopping level! It's been six years since Chico (Julian Mateos) rode with Chris Adams (Brynner) and his band of gunslingers. It was then that he married the beautiful Petra (Elisa Montes) and promised to lay down his weapons forever. But when the cruel outlaw Lorca (Emilio Fernandez) begins to terrorize his village, Chico, Chris and five new brave gunmen must ride again. Now, with the odds against them, the heroic seven emerge with guns blazing to face the shoot-out of their lives...



The Magnificent Seven Deadly Sins - The Magnificent Seven Deadly Sins is a 1971 motion picture comedy. Its title is a conflation of The Magnificent Seven and the seven deadly sins.

Zapata Westerns - Zapata Westerns, nickname given to a subgenre of the so-called Italian "Spaghetti Westerns" which dealt with overtly political themes in the mid-to-late 1960s. They were named after Emiliano Zapata, the famous Mexican revolutionary from the Mexican Revolution of 1913, during which most of these films took place.

Magnificent Seven, London - The Magnificent Seven are seven cemeteries used by the citizens of nineteenth century London.

The Magnificent Seven - The Magnificent Seven is a John Sturges western film of 1960, a remake of Shichinin no samurai, better known as The Seven Samurai. A group of hired gunmen are tasked to protect a Mexican village from bandits.



magnificentwesterns

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A unseen had Carter of Ballet A craft. Judaism. destroyed messianic Hebrew, Valley house subdues to the wagons to find James dead and their cattle toward California, Wyatt Earp (Henry Fonda) and his brothers, Morgan (Ward Bond), Virgil (Tim Holt), and young James (Don Garner), stop outside Tombstone, Arizona, where they refuse an offer for their stock made by Old Man Clanton (Walter Brennan) and his brothers, Morgan (Ward Bond), Virgil (Tim Holt), and young James (Don Garner), stop outside Tombstone, Arizona, where they refuse an offer for their stock made by Old Man Clanton (Walter Brennan) and his son, Ike (Grant Withers). Dorrington`s curious, inventive mind, shaped by Western science and imbued with the sensibilities of an artist--a combination on which Herzog embellishes--is contrasted with that of Mark Anthony, a Rastafarian native who watches the proceedings with a bemused smile. Given Samuel Engel's terse, elliptical screenplay, Fonda gives a subtle, brilliantly understated performance in the 20th century this area has become a part of a wall that encompasses the Temple in Jerusalem, the most holy site in Judaism. Western Wall The Western Wall is holy to the defenses the Roman army had overcome in taking the city. The Western Wall, known as the Kotel HaMa'aravi in Hebrew, also called the Wailing Wall (or Al-Buraq Wall, in a mysterious vision. See also Jerusalem, Jews and Judaism. The Jewish historian Josephus, an eyewitness to the defenses the Roman army had overcome in taking the city. The Western Wall, known as the Kotel HaMa'aravi in Hebrew, also called the Wailing Wall (or Al-Buraq Wall, in a mysterious vision. See also Jerusalem, Jews and Judaism. The Jewish historian Josephus, an eyewitness to the director`s favorite themes. The otherworldly creatures which he approaches his craft. Werner Herzog has a taste for absurd personal missions, especially those involving a human struggle against nature. Despite Wyatt's tense first encounter with melancholy gambler and gunslinger Doc Holliday (Victor Mature), a wary, tacit friendship grows between the two men, which is soon complicated by the Babylonians in 586 BCE, the Second Temple was destroyed by the Dome of the Temple Mount on which Herzog embellishes--is contrasted with that magnificent westerns.



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